A WORLD THROUGH HIS LENS: A CONVERSATION WITH DARREL āMODEā HUNTER
A CONVERSATION WITH DARREL "MODE" HUNTER
Words by Knard Jackson & Sayeed Shahidi
February 7, 2025
In a world that feels more connected yet distant than ever, few artists bridge the gap like Darrel āModeā Hunter. Known for his evocative photography that captures lifeās most magnetic moments, Hunter brings more than just an eye for beautyāhe brings a soul-deep passion that transforms every image into a story.
When Aš°D editors Sayeed Shahidi and Ken J caught up with Mode, the conversation transcended the constraints of time zones, as if creativity itself had set the stage. Three cities, three clocks, and one shared love for artistryāit was a dialogue pulsing with energy, authenticity, and insight.
Hunterās presence is electric, his enthusiasm contagious, and his craft nothing short of visionary. From unraveling the tales behind his iconic images to diving into the philosophy that shapes his lens, the discussion unfolded like one of his photographs: vibrant, layered, and deeply moving.
Aš°D: What sparked your journey into photography, and how did it all begin?
Mode Hunter: Photography and fashion have always been part of my life, but initially, I didnāt see them as careers. I studied finance and worked in the field before realizing my true passion for photography. After taking a short course and being mentored by a family friend in fashion, I began connecting with industry professionals and participating in shootsāthis mentorship was crucial in launching my career.
Aš°D: What is the origin story behind the āMode Hunterā moniker?
Mode Hunter: As a child, I loved capturing moments with my dadās twin-lens camera and a Canon PowerShot my mom gave me. Photography wasnāt a career goal at the time, just a way to preserve memories. It wasnāt until I began using more professional gear that I realized it could be a career.
Aš°D: What inspired you to focus on street photography as your perspective?
Mode Hunter: Street photography happened organically around 2007, when I started capturing stylish individuals on the streets of London. As street style gained popularity, I realized there was a growing market for it, particularly at Fashion Weeks. For me, itās always been about showcasing peopleās personalities and stories through fashion.
Darrel āModeā Hunter photographed at The BT Collective / Aš°D Magazine Headquarters in SoHo, New York at The Malin . Photography by John Dionisio.
Aš°D: What challenges have shaped your journey, and what milestones have defined your career?
Mode Hunter: The hardest part of transitioning to photography was learning the business sideāhandling invoices, budgets, and client expectations. I also struggled with rejection early on but have learned to keep moving forward. I stay motivated by looking ahead rather than dwelling on past accomplishments.
Aš°D: In the ever-evolving world of photography, what fuels your inspiration and keeps your vision fresh?
Mode Hunter: I find inspiration in various placesāart galleries, conversations with people from different fields, and even walks. When facing creative blocks, I take time to rest and recharge, knowing that inspiration can come from unexpected sources.
Aš°D: Can you walk us through your creative processāhow you approach a shot, frame a story, and curate your final work?
Mode Hunter: For street style, I prefer capturing candid moments, especially at Fashion Week, focusing on raw energy and authenticity. For editorial and commercial work, I plan meticulously with mood boards but stay flexible, as the best shots often come when I go off-script. Preparation is essential. Detailed planning leads to smoother shoots, but things donāt always go as expected. Communication with the team is key to ensuring the shoot aligns with the vision.
Aš°D: How do you navigate the obstacles that come your way in your creative journey?
Mode Hunter: I see challenges as opportunities to problem-solve. No matter what goes wrong on a shoot, itās up to the photographer to bring everything together and deliver the final image.
Darell āModeā Hunter photographed in Soho, New York. Coat by Lemaire, Pants by Prada, Sweater by Banana Republic, Shoes by Miu Miu, Glasses by Prada. Photography by John Dionisio.
Aš°D: What are some of the most iconic moments or images in your career that youāre proud of, and what makes them stand out?ā moniker?
Mode Hunter: One of my proudest moments was seeing my work in print for the first time. Even in the digital age, print carries weight. Another milestone was being flown out for a jobābeing trusted enough by clients to travel and collaborate with diverse cultures is a humbling experience.
Aš°D: Can you tell us about your first feature in a publication?
Mode Hunter: My first print feature was in Lucky Magazine, which no longer exists. Recently, seeing my editorial in ELLE Turkey was another milestone. Itās always surreal to see your work through someone elseās eyes in print or online.
Aš°D: How do you celebrate your accomplishments, and do you take time to reflect on them?
Mode Hunter: I donāt celebrate enough. After a project wraps, I thank the team but often move on too quickly to the next thing. Iām starting to recognize the importance of pausing to reflect and celebrate accomplishments.
Darrel āModeā Hunter photographed in Soho, New York. Photography by John Dionisio.
Aš°D: What message or feeling do you aim to convey to your audience through your work?ā
Mode Hunter: Beyond aesthetics, I want my work to tell a story, evoke emotion, and create connections. Photography for me isnāt just about the final image but the journey, the culture, and the people who bring it to life.
Aš°D: How do you see your work contributing to the broader cultural conversation?
Mode Hunter: Whatever Iām capturing, regardless of the photographyāwhether itās landscapes, portraits, or anything elseāI want there to be a feeling attached to it, rather than just, āOh, this is a great image.ā That, for me, is something I strive to do. When Iām with a subject, itās a conversation between me and them. So, when Iām capturing them, Iām trying to bring something out, whether Iām posing them or itās candid. Itās a conversation, itās what Iām seeing in them, and then you have the conversation between the viewer and my image, basically. So, itās the subject told through my image. Thatās what I try to do. Aside from beautiful imagery, great fashion, and great locations, I want there to be a conversation and an insight into whatās happening in that moment.
Aš°D: What Advice do you have for up-and-coming photographers trying to find their voice?
Mode Hunter: To find your voice as a photographer, two key principles are essential: First, train your eye and develop a unique perspective. Your point of view is what makes your work stand out, not the equipment you use. Focus on creating something distinct, not just mimicking others. Second, aim to capture everything in one shot. A photographer once told me to prepare meticulously so you can deliver exactly whatās needed in a single frame, minimizing adjustments later. These principlesādeveloping your own voice and working with intentionāare crucial for refining your craft and making an impact. This is super applicableānot just to photography, but to life in general.
Aš°D: Thank you, Mode, for sharing your insights and inviting us into your world. This conversation has given us a deeper understanding of who you areānot just as a photographer, but as an artist who captures lifeās narrative through a unique lens. Photography, as you show us, isnāt just about whatās in the frame; itās about offering a new perspective, telling stories that others might overlook. Weāre grateful for your talent, not only for those who appreciate beautiful images, but for those who find inspiration and hope in them.
Photography by John Dionisio, Stylist - Darrel āModeā Hunter, Creative Direction by Bobby Trendz, Coat by Lemaire, Pants by Prada, Sweater by Banana Republic, Shoes by Miu Miu, Glasses by Prada.